In an endless arrangement of possibilities for a fingerprint tracking system, One thousand pages. This record is a system of human classification, akin to biometrics, considering how finger geometries, impact, and spatter patterns are used to classify and categorize a dehumanized political placement of human bodies. This series of prints were “catalogued” and contained into a pile of paper encased in steel, while the fingerprint arrangements can only be viewed as a moving catalogue of fleeting images.
Kim Zumpfe 