A collaboration with taisha paggett, Ashley Hunt and WXPT: Angela Anderson, Charmaine Bee, Heyward Bracey, Rebecca Bruno, Erin Christovale, Loren Fenton, Maria Garcia, Kloii “Hummingbird” Hollis, Meena Murugesan, taisha paggett, Sebastian Peters-Lazaro, Kristianne Salcines, Ché Ture, Devika Wickremesinghe and Suné Woods.
The School for the Movement of the Technicolor People found its first home at Los Angeles Contemporary Exhibitions (LACE) in 2015, conceived as an exhibition by taisha paggett, Ashley Hunt and Kim Zumpfe, and curated by Robert Crouch. The exhibition served as the infrastructure for the school’s curriculum—as its learning objects, images and architecture; as the space for free public classes; and as the stage for the company’s performances. Likewise, the components of the exhibition offered a version of the School’s curriculum to visitors to the exhibition when classes were not taking place. Fully functioning as dance school, with its curriculum structured around the question, “What is a Black dance curriculum today?”, the School offered free, weekly dance classes to the public, with an accumulative structure that led to the show’s closing performance, “Meadow.”
The project’s second iteration (below) found its home in 2016 at Diverseworks in Houston, Texas and was curated by Rachel Cook. WXPT expanded in Houston with Adam Castaneda, Celestina Billington, Brittani Broussard, Caleb Fields, Rosine Kouamen, Eternal Lokumbe, Norola Morgan, and Kenneth Owens.
The School for the Movement of the Technicolor People was made possible by The MAP Fund, a program of Creative Capital, primarily supported by the Doris Duke Charitable Foundation. Additional funds came from the Andrew W. Mellon Foundation. This program was also sponsored by a grant from the University of California Institute for Research in the Arts.
Development support of School for the Movement of the Technicolor People was given through Show Box L.A.’s Los Angeles Dance & Research Residency Program, which is supported in part by an award from the National Endowment for the Arts.
Installation Image Credit Los Angeles: Christopher Wormald
Installation Image Credit Houston: